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darksilenceinsuburbia:

From 25 Incredbly Tough Movies for Extreme Viewers

1. Breaking the Waves

2. A Clockwork Orange

3. Oldboy

4. Martyrs

5. Man Bites Dog

6. Flower of Flesh and Blood

7. Henry: Portrait of a Serial Killer

8. Ichi the Killer

9. Cannibal Holocaust

10. A Serbian Film

Warning: Not suitable for every stomach

“The false self develops to protect the dehumanized person whose heart and soul have been annihilated through trauma. To do this the false self grows up too fast and becomes precociously adapted to the outer world (Winnicott, 1960) in order to resist any unguarded spontaneous expressions of authentic self in the world. The chameleon-like nature of the false self enables the survivor to be whatever the abuser wants it to be. Most commonly this is manifest in fierce independence, self-sufficiency, invulnerability, and pseudomaturity. This false self often presents as a solid exterior which appears calm, contained, secure, and functional but is actually a veneer for the fragile, labile, insecure, helpless and developmentally immature true self.”

—   Christiane Sanderson, Introduction to Counselling Survivors of Interpersonal Trauma (via born-howling)

(Source: disabledbyculture, via rabbit-salad)

likeafieldmouse:

Nobuo Sekine - Phases of Nothingness (1969-2014)

(via sirobtep)

Our Cosmic Address

(Source: crayjoy, via daisybuchanan)

“He bound my arms like the wings of a bird,
to lead me captive to the house of darkness, seat of Irkalla;
to the house which none who enters ever leaves,
on the path that allows no journey back,
to the house whose residents are deprived of light,
where soil is their sustenance and clay their food,
where they are clad like birds in coats of feathers,
and see no light, but dwell in darkness.”

—   Mesopotamian conception of the netherworld/”Hell”, taken from the Epic of Gilgamesh, tablet VII. (via zondvloed)

(via feralfoxbones)

cryingfor-help:

radicalg:

What a ridiculous place we live in

these are so so weird

(Source: ikarost, via tubner)

welcome-foolishmortals:

COB HOUSING RUUUULES

(Source: smallandtinyhomeideas)

setbabiesonfire:

raven-mama:

dirtchild24:

Omg someone please tell me where this is!

Burning man!

I want to go so badly though.

(Source: f-l-e-u-r-d-e-l-y-s, via jyulin)

museeguimet:

Planche extraite d’un album de treize estampes érotiquesvers 1801Eiri Hosoda (actif de 1790 à 1800) japonais ; peintreépoque Edo (1603-1868)estampe ‪nishiki-e‬Japon
(C) RMN-Grand Palais (musée Guimet, Paris) / Thierry Ollivier
Section Japon du musée Guimet

museeguimet:

Planche extraite d’un album de treize estampes érotiques

vers 1801

Eiri Hosoda (actif de 1790 à 1800) japonais ; peintre
époque Edo (1603-1868)
estampe ‪nishiki-e‬
Japon

(C) RMN-Grand Palais (musée Guimet, Paris) / Thierry Ollivier

Section Japon du musée Guimet

(via sirobtep)

joanacasacalemos:

Perception of Consequence


This multi-dimensional project represents the idea of consequence and constraints of motion set by the rules of physics. Two fluid-evolving forms are placed in a reversible entropic system and simulated to resemble evolving human states and emotions. The system itself evolves from organic form into chaos, but its cyclical nature pushes the system towards rebirth. Situated against a 15’ fabricated wall and within a tangible environment, control-activated whirlwinds encapsulate viewers as if like being part of the system itself. Exploiting both your visual, auditory and touch sensory systems, Perception of Consequence will guide you through the experience of transformation and evolution.

This project was developed in completion for his MFA graduate degree at the School of Visual Arts in NYC.

See rest of Kamil’s work: kamilnawratil.com / volvoxlabs.com
Kamil Nawratil © 2013

(Source: vimeo.com)